Tribalogy – Drawing With Both Hands at the Same Time

For the greater part of my life, I have been drawing with my right hand only. Several years ago, I had an idea for a fun artistic challenge. One day, I decided to include my left hand into the drawing process. I refer to this as “Simultaneous, Two Handed Drawing”- the act of drawing with both hands at the same time.

You might be asking, “how could this be possible and how can you focus on both hands at the same time?”. The answer is this: the same way you drive a car, play an instrument, or type on a keyboard. We train our brains to function and operate in a way that allows us to accomplish specific tasks.

The truth is that everyone can draw with both hands at once. It’s simply a matter of the willingness to learn, as well as being inspired to take on the task. Everyone is different, and we all have abilities that make us unique.

For me, I have been drawing my whole life and I have been heavily inspired by the lines and shapes prevalent in Tribal art. I have practiced drawing, painting and tattooing tribal designs for, literally, thousands of hours in my life.

My goal has always been in developing a fundamental understanding for the science of interacting lines and shapes on a surface. Incorporating my other hand in the art creation process seemed to be the next step in connecting with line art on a deeper, more spiritual level.

Drawing with both hands seemed to allow me to get even closer to becoming one with the lines and shapes that I created. I started to draw tribal art with both hands at once, and Tribalogy was born. After creating several simultaneous, two handed drawings, I noticed my hands making similar movements on the paper, and new drawing techniques were born.

These include Hand Mirroring, Hand Independence, Detachment, Alternating, Overlapping,Tempo, and so on. The drawing methods would come to me, as though they had always been there, and as if I was uncovering them through drawing experimentation. Drawing with two hands seems to hold a lot of answers regarding the art creation process. It feels like I am closing an electrical circuit, allowing art to flow freely into the design, then back into me.

I believe that an artist who creates art with one hand is just as close to their art as the two handed artist. Incorporating my other hand seems to be the missing force in my individual process.

55 Creative Entertainment Ideas For Your Next Event Or Meeting

1. Hire a comedian who can poke some fun at your CEO, do an impersonation of him, or even make light of your industry as a whole.

2. Hire a magician that can incorporate your sales message into his magic, or cut your CEO or receptionist in half. He might even be able to vanish the CEO, much to the delight of the employees.

3. Book a vocal improvisation group to take requests and spin them into a funny performance.

4. Have a musician write a song about your company and play it at the event.

5. Hire a celebrity impersonator to come to the event and sign autographs and take pictures with guests.

6. Book a caricature artist to draw personalized sketches of each employee at the company. These are fun souvenirs as well.

7. Book a digital caricature artist who composes his or her photos digitally on a computer right in front of your eyes. They can even personalize the backdrop to reflect the company

or event. This is a great souvenir for the guests to take home.

8. Book a balloon artist that makes the life size figures such as Disney characters, scenery like palm trees, huge company logos, and more. The balloon artist can do these figures with everyone watching making it an experience to watch the balloons being put together.

9. How about a strolling juggler who can mingle through the cocktail hour.

10. Book a stilt walker to make a big announcement for your company at an annual conference or meeting. It is a fun and guaranteed way to get everyone’s attention.

11. A clown is a great option for events with children or families. There are also evil clowns for events with no kids or around Halloween.

12. Book a palm reader to make psychic predictions about the future of the company or to tell people’s fortunes.

13. Hire a reality TV star to interact with guests. They are far less money than big time Hollywood celebrities.

14. Book a tribute band to play the songs of an artist that is popular among the guests.

15. An a cappella group can perform on stage or stroll through the event during a cocktail hour or dinner.

16. Hire a symphony orchestra to play at the event. You will need to consider space requirements for this type of an act.

17. You could have a mime act out a corporate message to employees or event customers.

18. Book a DJ to play only requested songs or songs from a certain era such as the 80′s

19. Break dancers can be lots of fun. They are generally young, hip, and add a sense of youth to an event.

20. How about a mariachi band for some festive music.

21. A steel drum band can be a nice addition to a high end gala event.

22. Booking a fire eater can be a great way to kick off the launch of a hot new product or service.

23. Carolers can be nice addition to any holiday event.

24. A living statue can be a great idea for almost any event. Make sure you ask for a living statue that matches closely to the theme of your event or meeting.

25. Booking a cirque act is a great idea when the event needs something remarkable or to get a buzz going. Make sure you can accommodate for the space some of the cirque acts require.

26. A snake charmer is a unique way break up a meeting or attract a crowd at an event.

27. Hire a mentalist to read the minds of the guests. This is creative way that the performer can interact with the audience.

28. How about an ice sculptor who can sculpt the company logo or a corporate message live while people watch it being carved.

29. Acrobats provide a lively addition to an event.

30. Singing waiters are an a cappella group dressed as formal waiters. This catches guests off guard and is an offbeat way to infuse entertainment into the dining experience.

31. Ballroom dancers can be popular with all the dance themed TV shows like Dancing with the Stars and others.

32. A barbershop quartet is an a cappella group where all the members wear red and white costumes, similar to that of a barbershop pole. This has a nostalgic feel to it.

33. Dueling pianos are a fantastic way to get the audience involved with nonstop entertainment

34. You could have your employees put on the entertainment by having a talent show and getting everyone in the company involved including the CEO. You will want to record this so everyone can watch it later on, or you may even want to send them all home with a copy, or mail it to them afterwards. You could also post them on YouTube for all to comment on.

35. A marching band can be an official way to introduce somebody special at the event. It can also be a way of showing that the company does not take themselves too seriously if they book a fun themed marching band.

36. Book the 60 second novelist. He comes with his own table and a manual typewriter and asks guests a few questions to get a sense of who they are, and he types out a short life story in one minute. He even binds it so guests can take it home. The story is funny, imaginative and true. This is a fun way to get people to open up and share their stories and get to know each other.

37. Face painters are a neat way to entertain the younger kids.

38. A choir can be a nice way to make a grandiose statement.

39. How about an opera singer for a classy event or gala.

40. A graffiti artist that can create a painting of someone or something with a large crowd watching. Some artists do this type of thing super fast, making it intriguing to watch.

41. Book hula dancers to mingle on the dance floor with guests.

42. How about Polynesian dancers to inject a unique culture into the event.

43. A ventriloquist can be a great entertainment choice that can play well for kids or adults depending on the performer.

44. Hire a dynamic storyteller who can weave a message about the goal of the event or meeting.

45. An escape artist is a dramatic way to convey messages such as, escaping or breaking free of limiting beliefs and constraints. This can be a nice way to motivate employees to achieve a goal.

46. Booking a hypnotist can provide a serious element or a comedic one.

47. A rapper could perform a comedic rap specifically written about the company. Some rappers can even improvise this on the spot.

48. A puppeteer is another option for younger children to keep them entertained.

49. Hire a sword swallower to attract the crowd or if it fits into the theme.

50. You can always hire a real Hollywood celebrity to attract the attention and buzz you need or try booking a couple of smaller celebrities to make better use of your funds and get more celebrity drawing power.

51. You might want to book a political impersonator that is popular such as Sarah Palin or Barack Obama.

52. A harpist can add a light musical touch without loud music. This would be nice for a laid back, high end atmosphere.

53. How about having multiple celebrity tribute artists on stage performing a bunch of hits songs from the various artists they impersonate.

54. Have a stage where different executives from the company do karaoke for a variety of songs.

55. Finally, the best way to guarantee a creative entertainment experience is to have the performer or performers customize their acts to your event or meeting. This creates a memorable experience guests are sure to remember for a long time.

Tips on Stretching Piercings and Gauging Earlobes

The following tips on stretching piercings are specifically aimed at gauging earlobes, where earlobe piercings can be enlarged to very large sizes to incorporate many different types of ear jewelry including awesome flesh tunnels.

Stretching piercings has been popular in many civilizations throughout history, taking many forms from gauging earlobes to stretching labret and septum piercings. In the very early periods of history the materials used were wood, stone, bone, horn, shells, claws and talons, shaped and carved to facilitate stretching piercings.

The oldest known incidence of humans gauging earlobes was discovered in 1991, in a glacier in the Otztal Alps between Italy and Austria, where a 5,300 year-old mummified body was found with tattoos and an earlobe piercing of between 7 mm and 11 mm diameter. Although the method used was known for definite, this may have been carried out by a method known as dead stretching, where progressively larger ear jewelry is forced through the hole that gradually increases in diameter.

Preparation

In preparation for gauging, make sure that you have a good anti-bacterial soap without perfume. Then you will need a sea salt solution – make it using three tablespoons salt in just enough water to dissolve it, and at least enough to bathe your earlobe in. Never use hydrogen or any other peroxide as antiseptic – the soap and salt solution are enough.

You will also need some warm water to bathe your ear with before each phase of ear stretching, or you could alternative have a warm shower first. This softens the ear and helps prevent tearing of the skin/scar that could lead to bleeding.

Finally, you will need some lubricant: avoid Vaseline or any other mineral oil or petroleum-based lubricant. Most tips on stretching piercings recommend emu oil and jojoba, each of which offers gentle antiseptic and skin conditioning properties while acting as a perfectly adequate lubricant.

Gauging Earlobes

When stretching piercings, the two recommended methods are the taper method and the Teflon method. The taper method involves inserting a tapered rod or pin into the piercing, the narrow end being of the same gauge as the piercing, and the broader end one gauge down. The size of the taper is that of the desired gauge of piercing. So if your piercing is 16g, the taper will be a 14g taper, ranging from 16g to 14g. These are equivalent to 1.2 mm to 1.6 mm.

Never use a taper any more than one step down. However, since piercing gauges are always even numbers, one step down is 16g to 14g or 12g to 10g. Also, as the gauge figures drop, the actual diameter increases. So while 16g is 1.2 mm, 10g is 2.4 mm.

There are a number of different types of taper, including a tapered pin on ear jewelry, so you simply insert ear jewelry tapering from your current gauge to the new one. The problem here is that a fully tapered pin will not stretch your ears evenly – the pin has to be of the same diameter all the way through, or your piercing might also be stretched with a taper.

To overcome that, you can use an insertion rod, which is a tapered rod of about 3 inches. After warming your ears with the warm water or shower, and washing them with anti-bacterial soap, apply the lubricant to the taper and slowly work it through. Once it reaches the thicker end, follow it through with ear jewelry of the new size, and you are done. Wipe off excess lubricant and clean the ear with anti-bacterial soap and then some of the salt solution.

An even safer way is to wind a layer of non-adhesive Teflon tape round the pin of your ear jewelry and push it through the lobe. If you can see any space at all when you pull on the ring, then you can safely do this. Wait until the ear has accepted it then do it again, and so on until you have reached the new size, when you can use larger ear jewelry.

If there has been any severe pain or the piercing bleeds, then you must stop immediately and allow the piercing to heal properly before trying again. If you try stretching piercings too soon, before they have fully healed, then you can tear the skin and even have a blowout, both of which will make it difficult to stretch again.

Gauging Earlobes: After-Care

After-care when gauging earlobes is fairly straightforward. It should not be so much a matter of tending after a piercing until it heals, but more keeping it clean, and turning the new sized jewelry now and again. You are waiting until the ear has accepted the new size of hole permanently so that you can perhaps change the hole diameter once more. The stretched skin has to be allowed to thicken and get harder – give about three times longer than your original piercing took to heal. If you want to use a flesh tunnel, then you can continue stretching piercings until the diameter reaches an appreciable size.

Done properly, and following the above tips, stretching piercings is safe and relatively easy to do. Many extend the diameter of their piercings this way, and gauging earlobes is likely the most popular form of pierce stretching carried out at the moment. Take your time – waiting is difficult, but if your ear is not ready for the next stretching it will likely be damaged.

Artist’s Signatures – How Do They Change the Value of Art?

Signed in pencil, signed in the plate, what does all of this mean? The way a print is signed and it’s impact on the value of the art causes a great deal of confusion. You will see prints that are unsigned, signed in the plate, stamped signature, estate signed and signed with a blindstamp. There are no hard and fast rules about how an artist should sign their graphic art. It is more important to know what the normal procedure was for the time period and what the normal practice was for that particular artist.

Centuries ago, most artists never considered signing their art. Numbers of pieces are unsigned, but that does not mean that the artist is unknown or that it was not done or approved by him or that it has no value. Rembrandt, considered one of the greatest etchers did not sign a number of his etchings. Most of the modern masters, Picasso, Chagall, Miro, did not sign certain editions. This is when it is important to work with a knowledgeable dealer since unscrupulous people have forged pencil signatures on authentic art in order to command a higher price.

Signed in the plate means that the artist has signed their name in the matrix (wood, metal, stone, etc) so that it is printed within the art. This is the way that an artist would sign their work up until the 19th Century and many of the earlier artists would not have done that much if it had not be decreed by guild law. Generally speaking, because in art there are always exceptions, a plate signed work of art is more desirable than an unsigned piece, but is less desirable than one signed in pencil. Since artist from the 14th to late 19th Century did not sign their art in pencil, the lack of a pencil signature has no impact on the value.

Signed in pencil is usually the type of signature that collectors prefer.

It has become a tradition for the artist to sign their name in the lower margin under the image. They may also include the edition number, title and date. We can thank James McNeil Whistler for helping to introduce and promote the hand written signature at the end of the 19th century. The hand signed signature signified the integrity of the print, that it is original and distinctive from a reproduction. Whistler charged twice as much for his hand signed pieces than he did his other pieces from the same edition, even though there was no difference in the quality of the art. Seymour Haden would sign his name to any of his earlier unsigned etchings for a guinea. Picasso sold 15000 signatures for the Vollard Suite.

Unfortunately, the hand signed signature no longer has this same meaning since many artists sign and number their offset lithographic or giclee reproductive prints. Nor is this a new phenomenon, Kathe Kollwitz signed photolithographic reproductions of one of her aquatint series. Still, the implied message has remained and pieces that are hand signed generally are more valuable than ones that are not. What makes all of this very confusing is that it is possible to have a fake signature on an authentic work of art and an authentic signature on a reproductive work of art.

Sometimes, instead of hand signing the art or signing in the plate, an artist will use a stamp of their signature and apply it to the art, usually in the lower margin where you would normally find the hand signature. A stamped signature will sometimes be confused for a hand signed signature.

Heirs and estates have been creating posthumous editions or reproductive editions that bears a special signature. They sign the art to give the impression that it would have been authorized by the artist if they had not died. These signatures could be hand signed, stamped signatures or blindstamps by the heirs, museums or any authorized organization. The value of these is usually much lower than lifetime impressions. But of course, there are always exceptions!